Fabian R Lischka bio photo

Fabian R Lischka

Buenos Aires, Moers, Karlsruhe, Warwick, London, Palo Alto, Hong Kong; Goldman, Credit Suisse, HackerSchool, metric system, The Economist.

Email Facebook LinkedIn Github Keybase
When I see performing art, there are two indicators I like it:
I am engrossed and smile obliviously, or I am engrossed and sob obliviously.

Currently, the HK Arts festival is going on. Shows I've seen so far:

  • Camut Band: Wonderful percussion-rhythm-dance show. In a similar vein to STOMP, but sufficiently different as to be original. Joyful and funny. I was smiling all the time.
    (For some reason, flamenco dancing just moves me deeply. This did, too. It was a display of pure skill, performed with emotion. Deeply human.)

  • 1984: Directed by Tim Robbins. Very bleak. Set in the same dark scene throughout. Not quite as gripping.

  • SF Jazz Collective: A band composed of composers. Some Thelonious Monk, many original compositions. Technically perfect, I am sure (cannot judge, really), but as some of the joy of listening to music comes from recognition, I found it not quite so engrossing. There might have been many allusions, but I didn't get them. In fact, quite a few people left during the show.

  • Youssou n'Dour: Senegalese singer. Great concert. Extraordinarily stirring. People got of the seats and danced (among the first was the delightful elderly Irish lady next to me, who pointed to her knees and said "they need some stretching" before she got up and danced). The poor ushers were totally overwhelmed and tried in vain to keep the crowds within bounds. As he pointed out during the show, Africa is not only poverty, AIDS, and war.